Another interesting approach to noise is to drive the phase of an SH/Sh ramp LFO with its frequency set to 0.
At higher frequencies you get a nice lightly pitched noise. Ramp helps to soften it without filters.
Look Ma, no hands!
And in stereo 😀
instant Metallic percussions
tweakable to your hearts content ;)
@Gravitas
hm red(brown),pink,white, blue, violet, are defined by their spectrum
(thats a very crude way to think about a complex sound sound)
3&6db octave spectrum hI & lowpass on white noise ...
white noise doesn't sound interesting at all - it all frequencies full blast random jumping around
its a very raw source ,( much more raw than an oscillator )
first u need to cut out some of that (in what ever way)
so u get something u can work with
that you can further manipulate/ play around with ...
red and pink are just make it kess bright
blue and violet make it less bass
hm how to say
u see these are still not sounds that u can just use like an oscillator
u still need to do something ™ with them
they just give u a little more hint at where this is going than white noise
examples shown here are under the theme
what else can we do with noise if we don't stick a classic multimode filter on it I guess
I like to compare white noise to a sinewave. they are exact opposites.
the sinewave is the smallest acoustic building block you can have , its just a single frequency. (hint add something)
and white noise is the biggest acoustic building block u can possibly have, its all frequencies at once. (hint subtract something)
The noise to end all noise?
Comments
Another interesting approach to noise is to drive the phase of an SH/Sh ramp LFO with its frequency set to 0.
At higher frequencies you get a nice lightly pitched noise. Ramp helps to soften it without filters.
Look Ma, no hands!
And in stereo 😀
instant Metallic percussions
tweakable to your hearts content ;)
@Gravitas
hm red(brown),pink,white, blue, violet, are defined by their spectrum
(thats a very crude way to think about a complex sound sound)
3&6db octave spectrum hI & lowpass on white noise ...
white noise doesn't sound interesting at all - it all frequencies full blast random jumping around
its a very raw source ,( much more raw than an oscillator )
first u need to cut out some of that (in what ever way)
so u get something u can work with
that you can further manipulate/ play around with ...
red and pink are just make it kess bright
blue and violet make it less bass
hm how to say
u see these are still not sounds that u can just use like an oscillator
u still need to do something ™ with them
they just give u a little more hint at where this is going than white noise
examples shown here are under the theme
what else can we do with noise if we don't stick a classic multimode filter on it I guess
I like to compare white noise to a sinewave. they are exact opposites.
the sinewave is the smallest acoustic building block you can have , its just a single frequency. (hint add something)
and white noise is the biggest acoustic building block u can possibly have, its all frequencies at once. (hint subtract something)
The noise to end all noise?